In my early working days during the 80s and 90s, every time I moved house, it usually took me four or five months to get around to hanging up my pictures. Because I always rented, my choices were limited to where existing picture hooks had already been hammered in by previous tenants.
Only once, when I bought my own flat in Johannesburg in 1997, did I finally splash out on buying a drill and hanging my pictures exactly where I wanted them. Along with shower rails, curtain rods, pot plant holders and anything else that took my fancy.
When I moved to Durban in 2000, it was to rented accommodation again, but the landlords I was lucky enough to rent from in the next fifteen years were quite happy to let me put up whatever I wanted.
Even so, it always took me a while to decide on the correct look and atmosphere of each room before hanging the pictures. I had to be sure that everything else was in the correct place before executing those finishing touches.
In South Africa, you drill holes into brick walls, shove in plastic plugs and screw in screws strong enough to take the weight. Not so in Australia, where the process is a little more tricky. Here the houses are not built of brick, but of timber framing, covered inside with plasterboard, and outside with any kind of veneer you can imagine. This means the walls are hollow, with wiring and piping running through the gap between inner and outer cladding.
Believe it or not, I’ve now been in my new cottage for four months. Lately, I’ve been planning the placement of my pictures. Of course, I didn’t bring all of them with me; only the most significant and precious. Such as a set of five black and white photos of District Six, taken by Jansje Wissema back in the 1960s. After carrying these in a folder through two moves, I finally framed them myself in Johannesburg, before drilling holes in my own wall with my (then) new drill. Where I go, they go.
Likewise two of my niece’s paintings which I am hoping to frame; a beautiful water colour painted by a writing friend; a framed pencil sketch that I’ve had for twenty-seven years of a cat drawn by my friend Jackie; and a cute cat-shaped blackboard made by my friend Mandy before she left for Ireland in 1997. Other favourites include my four huge framed movie posters.
One of these bears the legend: “If adventure has a name… it must be Indiana Jones” which became symbolic of my own adventure when I was packing up three years ago. Where I go, Indy goes too…
Last week I retrieved all these and more from the roof of my sister’s garage where they have been stored for the past three years. Some calculations and planning had already been done because I had most of the measurements among my immigration paperwork, but the real fun only began when I was able to unwrap them from their protective bubble wrap shrouds and let them live again.
Yesterday I spent the day putting up the larger ones. My cottage here has quite a lot of hooks in the walls, which was lucky for me because it meant I didn’t have to excavate new territory and risk hitting water pipes and live electric wiring. I also have a neat little device called a Stud Sensor, which detects both timber and metal frames, and has a red flashing light and a loud beep whenever it senses electricity.
Unfortunately, that little beep sounded a lot yesterday as I discovered that several walls which I had earmarked for pictures were more “live” than most power stations. Consequently I have had to keep some of my artworks in bubble wrap until I maybe one day move to a bigger place, or until I work out a way of attaching them to just the wall paint and plasterboard. Or doors, or ceilings. Or whatever.
Either way, for the most part I am pleased with the results. My cottage is starting to look more and more like the home I have visualised for so long.